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The Feral Issue

ns 73-74 | Fall 2009/Spring 2010

The "Feral Issue" presents work by a range of people, from those who have been doing animal studies all along to those newly exploring the field. If it has a leaning, it is to build a cultural materialist account of animals in our world. We hope that the writing here will give our readers a sense of what animal studies is and where it's going, and also add some new voices to its course.

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Submissions

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Books for Review

To Submit Articles, Critical essays, and Reviews
Send critical writing as an email attachment (Word or .pdf) to submissions@theminnesotareview.org. We encourage email inquiries prior to submission. To get a sense of the kind of work we publish, please consult previous issues.

To Submit Creative Writing
Creative writing should be submitted using our online submission system (click here). Upon your first visit, you will be asked to register and create a profile. You will then be able to upload your work (as Word or .pdf files). If you have problems uploading or registering, email us at support@theminnesotareview.org.

If you are unable to access a printer or to use a computer for extended periods, we are willing to accept hard copies of submissions in exceptional instances. Please email submissions@theminnesotareview.org or write us at the address below to let us know if you need to send a hard copy for this reason.

General guidelines for creative writers: We publish all types of poetry and short fiction (up to 10,000 words). Creative nonfiction (up to 10,000 words) is accepted for select issues. We only consider unpublished work. Responses will be provided via email. Payment will be in the form of two free copies of the journal in which your work appears, which we will send to you upon publication.

the minnesota review 
Janell Watson, Editor
Virginia Tech
ASPECT, 202 Major Williams Hall (0192)
Blacksburg, VA 24061 USA

MR BOOKS
Critics at Work
ed. Jeffrey J. Williams.
Critics at Work offers a guided tour through the central, sometimes confusing and frequently controversial developments in contemporary literary and cultural criticism. The tour guides, however, are not distant observers but have been primary participants in those developments, and they report on theory, cultural studies, the literary canon, the recent focus on race, sexuality, and other identities, the state of the univerisity, and the role of the intellectual. Throughout, they consider the not always easy negotiation of politics and culture.
Purchase Critics at Work.


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