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R. Benjamin Bateman is a doctoral candidate in English at the University of Virginia. His dissertation, currently underway, explores gay autobiographies from 1880 to the present. His research interests include modernism, psychoanalysis, and queer theory.

ns 69 | Fall/Winter 2007

Featuring an interview with MH Abrams, reviews of new books by Walter Benn Michaels, John McGowan, and Paul Smith, plus a special section on online criticism.

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Published Spring 2006

The Future of Queer Theory

(on Lee Edelman, No Future: Queer Theory and the Death Drive [Duke UP, 2004])

by R. Benjamin Bateman | ns 65-66

Since its inception, queer theory has provoked readers with its radical negativity—its hostility to identity politics, to all essentialist accounts of gender and sexuality and to anything smacking of heteronormativity. Michel Foucault problematized the homosexual subject of gay and lesbian politics by showing its indebtedness to disciplinary discourses inherited from nineteenth century sexology and eugenics. Judith Butler, whose Gender Trouble galvanized queer theory, alleged that sex and not simply gender is socially constructed and that political appeals to the category "woman" entrench an exclusionary essentialism. And Leo Bersani argued that queer culture models anti-communalism through its sadomasochistic and frequently anonymous sexual practices. Gaining credibility as a queer theorist, it appears, necessitates the assumption of increasingly radical, and at times counterintuitive, political positions.

Such extremity finds full expression in Lee Edelman's polemic, No Future. Subtitled Queer Theory and the Death Drive, the book argues that politics as we know it relies upon a future-oriented logic that is indissociably intertwined with heterosexuality and with what Edelman terms "reproductive futurism." On Edelman's reading, the face of the child, epitomized by Dickens's Tiny Tim, coerces us—through conjuring our compassion—into subordinating our present wants and enjoyments to the always-deferred, future needs of "innocent" children. Tim's vulnerability turns vindictive, Edelman proceeds, when conservatives use 'protecting children' as a pretext for discriminating against gays and lesbians. Nowhere is this disguised homophobia more apparent than in recent 'arguments' against gay marriage. But when gays and lesbians respond by insisting that they value marriage, children, and their society's future—and not simply the ephemeral delights of sex and drugs, as conservatives would have it—they abandon the subversive force of queer sexuality. Instead of pleading for seats at heteronormativity's table, Edelman argues, queers should consent to their figuration as parasites upon the social order and embody the death drive for which they have come to stand.

Reading No Future, one is reminded of Michael Warner's polemic, The Trouble with Normal, which argued that queers should contest all sexual norms and defend everything heterosexuals find detestable in queer culture—promiscuous sex, bathhouses, pornography, drugs, and so on. But where that book occupied queer culture as a site from which to imagine a more ethical future, Edelman's project, due to its anti-futurism, imagines very little. Edelman is at his best and most hilarious when exposing the hypocrisy, false piety and pseudo-morality of religious conservatives and of "reformed" homosexuals like Larry Kramer. He is also at his best when demonstrating how, in an impressive range of literary classics, movies, and contemporary political examples, heterosexual culture deploys the child, disingenuously, as a weapon against queer sexuality.

But his book falters as it comes increasingly to rely upon arcane appeals to Lacanian psychoanalysis (conspicuously absent from this book is a single reference to Foucault). Edelman's argument runs something like this: a stubborn kernel of non-meaning resides at the core of language, forcing each signifier to find its meaning in the next ad infinitum, thus preventing signification from ever completing itself or establishing meaning once and for all. This internal limit subtends and makes possible all meaning-making while simultaneously disrupting it. An unbridgeable gap, it marks the place of a recalcitrant, functionless, and socially corrosive jouissance—an excessive enjoyment over which language, society, and the future stumble. Heterosexual culture, anxious to name and contain this minatory abyss, casts homosexuals as it and into it. They are "…the violent undoing of meaning, the loss of identity and coherence, the unnatural access to jouissance…"(132).

One might fault Edelman, as John Brenkman has, for transposing a rule of language onto the order of being. But even if one takes his equation seriously, one must ask what is gained by actively occupying a structurally necessary role. In other words, if the Real must exist for the Symbolic to function, then the abyss will remain whether homosexuals agree to inhabit it or not. Edelman acknowledges this reality but argues that if homosexuals exit the abyss a new subaltern will be compelled to enter it. Better, then, to remain inside and mirror back to heterosexuality what troubles it most—meaninglessness, death and antisocial desire. Unfortunately, Edelman provides few details as to how we might accomplish this task, and his insistence elsewhere that the powers-that-be will clamp down with unmitigated force to repress and disavow the encroaching Real renders such a strategy less than appealing. At one point he encourages queers to pursue a more traditional politics alongside his radical recommendation (29), but he fails to acknowledge that if the former succeeds—and the dominant culture brings queers and/or their practices into its fold—then the latter's intended audience will no longer be listening.

The most telling moment in Edelman's book, and the most important for grasping the current state of queer theory, comes in its discussion of Judith Butler's recent work, Antigone's Claim. Antigone's plea, according to Butler, is that the life she lives and the love she harbors (for her brother) become intelligible in and through the Symbolic order. In other words, Antigone functions for Butler as something of a queer avant la lettre, insisting, even from beyond the grave, that society acknowledge and accommodate her stigmatized desire and refusal of heterosexual reproduction, that queers like her be spared a "social death" (Edelman 102). Butler's politics, Edelman complains, is one of liberal-humanist inclusiveness. Against Butler, Edelman argues that the Symbolic will always be exclusionary and that Antigone represents a radical rejection of intelligibility, a refusal to become recognizable on society's terms. Butler and Edelman thus give two strikingly different faces to queer theory. The former advocates working in the social to achieve recognition for marginalized groups and to making norms inhabitable and livable for queer sexualities; the latter insists that queer must remain radically "other" to the dominant order, perpetually disruptive and parasitic upon its smooth functioning.

Certain readers might chafe at Edelman's suggestion that Butler's politics is insufficiently radical. After all, Butler has been criticized, like Edelman, for trafficking in recondite theories and postmodern argot and for failing to offer a viable model of political agency. To be sure, Butler's post-structuralist and Foucaultian commitments constrain her ability to posit a stable political agent and to conceive a politics that would radically oppose, rather than merely reinforce or marginally reinflect, a dominant cultural order. But in her recent work, perhaps most strikingly in 2004's Undoing Gender, Butler has turned to the "question of social transformation" (the title of UG's tenth chapter), arguing, quite programmatically, that social transformation "…is a question of developing, within law, within psychiatry, within social and literary theory, a new legitimating lexicon for the gender complexity that we have always been living" (219). Lest she be accused of nominalism, Butler stresses the importance of real bodies in forging such a vocabulary: "…the body is that which can occupy the norm in myriad ways, exceed the norm, rework the norm, and expose realities to which we thought we were confined as open to transformation" (217). While Edelman rejects the future as a site of social reproduction, Butler prizes it as a space of uncertainty, an ambiguous terrain upon which competing and perhaps unforeseeable claims will be made and new social orders elaborated.

Butler's model offers queer theory a brighter future than Edelman's, not simply because it confers agency upon social actors and highlights the social's capacity for transformation, but because it supersedes the liberal inclusiveness for which Edelman faults it. Butler's queer world is not one in which the dominant order remains stable as it incorporates, or ingests, peripheral sexualities into its fold. Rather, it is one in which the periphery remakes the center, rearticulating what it means to be "normal" or "American" or "queer." Thus, queers do not simply enter society on heterosexuality's terms; they recast such terms, seizing upon instabilities in signification to elaborate previously unarticulated and perhaps unanticipatable ways of life. Edelman's point that 'queer' names "the resistance of the social to itself" (2002) combats the very anti-futurism he endorses; in this formulation, queerness functions as the force that prevents a particular social order from coinciding with itself, from congealing into a futureless nightmare. Queer, then, might denote the instability of all norms and social orders, their intrinsic capacity for change.

Queer theorists more politically programmatic than Edelman frequently neglect this point. Michael Warner, for example, accuses gays and lesbians who aspire to marriage of caving, in assimilationist fashion, to heterosexual norms perceived as demands. But queers never exist completely outside such norms—and thus cannot, logically, succumb to them—and marriage and childrearing might not look the same with gays on board. After all, gays who have been traumatized by their parents' homophobia and lessons of compulsory heterosexuality are probably less likely than their heterosexual counterparts to repeat such mistakes. Insofar as married gays retain connections to less traditional elements of queer culture, we cannot assume that they will abandon their fights for sexual freedom, conform entirely to all matrimonial traditions, or turn their backs upon their promiscuous peers. Some might, but many will not.

Edelman's book works well as an intensely academic polemic but as a political resource it proves insufficient. If queer theory is to have a social impact, it must interpellate the gay and lesbian audience to whom, after all, it is primarily addressed. Few of these people, we can safely assume, want to live in a void or die Antigone's death. Queer culture should keep insisting that we not sacrifice present, pressing needs to heterosexual fantasies, but to secure its future it must imagine a political order in which the needs of children are not inimical to the interests of queers, and it must celebrate—as Eve Sedgwick does so passionately in "How to Grow Your Kids Up Gay" – that which is most queer, and queer-able, in children.

Note: Thanks to Rita Felski for her suggestions. All opinions and errors, of course, are my own.

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Works Cited

Bersani, Leo. Homos. Cambridge: Harvard UP, 1996.

Brenkman, John. "Queer Post Politics." Narrative 10:2 (2002): 174-180.

Butler, Judith. Antigone's Claim. New York: Columbia UP, 2002.

---. Gender Trouble. New York: Routledge, 1999.

---. Undoing Gender. New York: Routledge, 2004.

Edelman, Lee. No Future. Durham: Duke UP, 2004.

---. "Post Partum." Narrative 10:2 (2002): 181-185.

Foucault, Michel. The History of Sexuality: An Introduction. Trans. Robert Hurley.
New York: Vintage, 1990.

Sedgwick, Eve Kosofsky. "How to Grow Your Kids Up Gay." Fear of a Queer Planet. Ed. Michael Warner. Minneapolis: U of Minnesota P, 1993.

Warner, Michael. The Trouble With Normal: Sex, Politics and the Ethics of Queer Life. Cambridge: Harvard UP, 2000.

MR BOOKS
Critics at Work
ed. Jeffrey J. Williams.
Critics at Work offers a guided tour through the central, sometimes confusing and frequently controversial developments in contemporary literary and cultural criticism. The tour guides, however, are not distant observers but have been primary participants in those developments, and they report on theory, cultural studies, the literary canon, the recent focus on race, sexuality, and other identities, the state of the univerisity, and the role of the intellectual. Throughout, they consider the not always easy negotiation of politics and culture.
Purchase Critics at Work.


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