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Sarah Sarai has published poems in ZYZZYVA, Fine Madness, FRiGG, and The Threepenny Review.

Critical Credos

ns 71-72 | Winter/Spring 2009

Our precarious times seem a good moment for critics to think about what they believe and why they do criticism. The new issue of minnesota review features nineteen essays by young, old, and in-between critics about what they do and where they think criticism should go.

Read this Issue

Published Spring 2007

Further Arguments

by Sarah Sarai | ns 68

If there is a god you must sculpt my bellied likeness then
bury me so dirt chokes my cry.
If there is a god you must bruise me with your broad hand,
the one with the Rolex.
If there is a god, you must snap my bones and giggle.
If there is a god, you must punch my womb and admire
my body's pliancy.
If there is a god you must plunge me to a watery death
as an argument rivaling Aquinas' that there is a god.
If there is a god you must burn me, millions of me,
and warm to the frisky stench.
If there is a god, pray gratitude you were not born me,
and who will blame you?
You are reading this, you are not reading this. There is
a god.
You are listening, you are disinterested. There is a god.
You feel shame, or none. There is a god.
I am four hundred dead in the desert yet there is a god.
My children are target-rage and yet there is a god.
I am laughed at and condescended to and there is a god
there is, trust me.
I took the leap of faith over your life, proving there is
a god.
We are kneeling on our hearts agreeing this thing in each
of us is what I am calling god.

MR BOOKS
Critics at Work
ed. Jeffrey J. Williams.
Critics at Work offers a guided tour through the central, sometimes confusing and frequently controversial developments in contemporary literary and cultural criticism. The tour guides, however, are not distant observers but have been primary participants in those developments, and they report on theory, cultural studies, the literary canon, the recent focus on race, sexuality, and other identities, the state of the univerisity, and the role of the intellectual. Throughout, they consider the not always easy negotiation of politics and culture.
Purchase Critics at Work.


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